kill

Massacre at the Chapel

At a small chapel, where she was

hiding under a new name and preparing for a new life, Beatrix was ambushed —

by the very group of assassins she once called her own.

She spent four years in a coma.

And then, she began her path
of
revenge.

Bill and the

Deadly Viper Assassination Squad wiped out everything she had.

It’s about pain, choice, and consequences.

This isn’t revenge.
It’s justice.
This story isn’t just about vengeance.

Deadly Viper Assassination Squad

Assassination Squad was an elite team of assassins,

The Deadly Viper

Each of them was
a master of their craft.

he couldn't forgive her.

He trained her, trusted her, maybe even loved her.

But when she decided to leave, to disappear and start anew,

Beatrix was one

of them — one of the best, and Bill’s favorite.

handpicked and led by Bill.

Every name is a mask.
Every move is a battle fought.

motherhood and violence, tenderness and rage,

against pain and her former life.

Together, Tarantino and
Thurman built a character that combines

humanity
and
absolute determination.

Tarantino didn’t just
create an image of revenge — he created a woman who rises

Beatrix Kiddo

AKA The Bride

Schultz

1823-1893

Paula

reckless, riding high after "Reservoir Dogs" — is working on his second film.

1994. Quentin Tarantino — young,

On the set of "Pulp Fiction," he endlessly talks with
24-year-old Uma Thurman.

Out of those conversations, the idea was born:
a bride seeking
revenge.

Q&U

The film based on the character the bride created by

give her the script as a birthday gift.

He promised to

And he did.

Each scene feels like a

chapter out of a comic book, an action movie, a tragedy, or an opera.
There are no pure genres here —

so tense you could slice them with a sword.

There’s no CGI in "Kill Bill." Only real wires, real stuntmen, gallons

of fake blood,

This is a movie that lives by its own rules.

only the language of hard cuts,blood-splattered explosions, long silences, and dialogues

It’s not a movie about violence.

It’s violence choreographed like
ballet.

and cameras that aren’t afraid to catch an actor mid-fight.

"Kill Bill" is a

This isn’t parody.

love letter to the cult films of the past.

It’s a collage of cultural layers.

Tarantino doesn’t copy — he stitches them together.

westerns, grindhouse, exploitation, anime, manga, Hitchcockian thrillers.

Samurai cinema, spaghetti

The project is for

educational purposes and is not commercial.

All materials are taken from open sources

and belong to their authors.

Carried

Tarantino’s spirit onto your screens

Kristina Vasneva

AKA Designer